Review: The Seven Deaths of Evelyn Hardcastle

3/5

 

 

Awaking in a forest, Aiden Bishop has no idea of who he is. He has no idea where he is, or how he came to be there. And, in fact, he doesn’t seem to be himself at all. In short order, he’s informed that’s he’s looping through the same day as different people. He has eight “days” to solve a murder that was never solved…

I’m not sure what to make of Seven… I haven’t read many murder mysteries, and when I do, I always think I’ve missed giant clues that I should have picked up. Sometimes I have trouble picking up the subtext in conversations and actions in stories, and it doesn’t help. The detective gets all excited about something small, and I’m wondering what obvious thing I missed.

It’s fairly traditional in its format: Isolated country house, everyone has a secret (including the maids), people being hit on the head, poisoned, and shot with a variety of weapons. Information is introduced towards the end that means you couldn’t possibly have solved the murder before the protagonist, and the murderer or detective often spends a chapter explaining what they did.

I was expecting something more…off the wall for such a fun concept

I wanted to rate Seven higher, maybe four stars, but hiding under the body-swapping and time-looping is a fairly traditional murder-mystery with a fairly traditional resolution. I think I was expecting something more…off the wall for such a fun concept.

I would have liked to have seen all eight hosts converging on the murderer, or more interaction between them. But because the hosts days are linearly explored, it wasn’t an option without giving away the murderer on loop one. I would have liked to have seen more dialogue and situations from (say) host four to host two, and then seen it from host two to host four, to compare their internal monologues. Even so, if they ever make a movie of it, it’s going to be mind-bending trying to keep it all straight.

A character blackmails another in loop two by finding evidence in loop six

There are some fun time-bending things going on though, like when Aiden talks to himself from a later loop, then repeats it the next loop from the other characters perspective. To give a sense of linearity to the whole thing, Turton takes a character and makes them bed-ridden for the whole day. We pop back into them now and then for some exposition and explanations before popping back out again, a nice touch. A character blackmails another in loop two by finding evidence in loop six, which won’t be for four “days”.

To add to the fun, Aiden keeps meeting a secondary character out of chronological order – for her. I’d love to see the story from her point of view!

Murder and life become cheap when the person you kill is alive again in twelve hours.

One of the deeper themes of the book is who we become when we have no consequences to face in the morning. Murder and life become cheap when the person you kill is alive again in twelve hours’ time. There’s nothing like a mask to bring out our real personalities, a character says. Aiden struggles with that throughout the book, trying to find and keep himself in his hosts sometimes unattractive personalities.

Because it isn’t really my genre, some of the nods to Agatha Christie and other murder mysteries may have gone over my head, which is a shame. It felt like there was a sequel hook or two as well – the character running the loop says someone else is investigating a murder on an ocean liner.

Despite how well researched and planned this story was, I still feel Turton could have done even more with it. Next time around, maybe!

If you like murder-mysteries, did this one work for you? Let me know!